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重信五月,重信房子和足立正生的远征记及无映像的27年 L'anabase de May et Fusako Shigenobu, Masao Adachi et 27 années sans images (2011)

电影 法国 法语 纪录片

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L'anabase.de.May.et.Fusako.Shigenobu,Masao.Adachi.et.27.années.sans.images.2011.1080p.AMZN.WEB-DL.DD+2.0.x264-Cinefeel (transcribed on 16-Aug-2025 15-32-45)
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名称:重信五月,重信房子和足立正生的远征记及无映像的27年
又名:The Anabasis of May and Fusako Shigenobu / Masao Adachi and the 27 Years Without Images / 重信房子、メイと足立正生のアナバシス そしてイメージのない27
年代:2011
类型:纪录片
语言:法语
国家:法国
导演:埃里克·鲍迪莱
编剧:埃里克·鲍迪莱
演员:Fusako Shigenobu / May Shigenobu / 足立正生
剧情:Eric Baudelaire, artist and photographer, films on Super-8 the political and personal reflections of May, the daughter of the founder of the Japanese Red Army Shigenobu, and of Adachi Masao, the legendary experimental filmmaker who gave up film to fight for the Palestinian cause.   Like his compatriot Philippe Grandrieux, the French artist Eric Baudelaire has made a personal film about the history of the Japanese Red Army (JRA), an extreme left-wing group that took up arms in the early 1970s in order to realise the proletarian revolution. The JRA hijacked aeroplanes and in 1972 organised a raid on the airport of Lod, in which 26 people died. They also fought in Lebanon, with the People’s Front for the Liberation of Palestine (PFLP).   On the soundtrack, we hear the story of the Japanese filmmaker Adachi Masao, who lived in Beirut for years and at the time was spokesman for the JRA. Shigenobu May, the daughter of Shigenobu Fusako, the woman who founded the JRA, talks about her childhood in Lebanon and her many secret identities.   Baudelaire illustrates their stories with 8mm films that he made in Beirut and Tokyo, at the places where both were active. We also see clips from films by Adachi and newsreel footage of the attack at Lod and the arrest of Shigenobu Fusako in 2000.
Title:L'anabase de May et Fusako Shigenobu, Masao Adachi et 27 années sans images
Year:2011
Genre:Documentary
Language:English / Japanese
Country:France / Japan
Director:Eric Baudelaire
Actors:Masao Adachi / Mei Shigenobu
Plot:May, the daughter of a Japanese terrorist, and Adachi, an activist film-maker, tell the story of their lengthy exile in Lebanon. A reflection on the relationship between life, politics and cinema.
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